Elizabeth Knudson, composer

The most enjoyable pieces to work on are usually ones where I am writing for someone I know well—whether it’s a performer, an ensemble, or a conductor. It’s satisfying to have an ongoing musical relationship in this sense. I am writing for someone I know well, then I already have a good sense of their musical personality, their strengths, their interests— I can play with these ideas and allow them to filter through and mix with my own ideas, to create something new.

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