one of the challenges for me is …to get into the mind of every composer I want to play, and to truly – as much as I personally believe I can – understand the works I perform
Interviews with musicians, composers and conductors
one of the challenges for me is …to get into the mind of every composer I want to play, and to truly – as much as I personally believe I can – understand the works I perform
My parents took me a to piano recital when I was three because they couldn’t find a babysitter that night. I don’t remember the pieces the pianist played but I was fascinated by the power of music that made the audience quiet for nearly two hours. I thought that if I learned this “language” people would also listen to what I want to say
For me, the most important thing to impart to students is that great music is not ‘entertainment’, nor just a social accomplishment, but a reflection of life.
I believe the role of a musician is in many ways akin to an interpreter. The piano is a monumental instrument, as Kathryn Stott once mentioned to me, and we are blessed with the ever growing huge canon of repertoire – solo, concerto and chamber.
While the printed score is in two-dimensional black and white, music is a living language. As musicians, we must bring the notes to life and express the music as a colorful, three-dimensional world.