As a soloist, performing Ligeti for 100 school kids in the Queen Elizabeth Hall for the London Sinfonietta was particularly rewarding – it was the best (and noisiest) cheer I’ve ever received!
Interviews with musicians, composers and conductors
As a soloist, performing Ligeti for 100 school kids in the Queen Elizabeth Hall for the London Sinfonietta was particularly rewarding – it was the best (and noisiest) cheer I’ve ever received!
There was no piano in the house when I was a small child, but whenever we visited my mother’s sister, a talented and accomplished amateur pianist, I was transfixed by the sound of her playing and longed to be able to do it too. And at the age of ten, I heard a recording of Dinu Lipatti playing Chopin and never looked back.
Remember that art and life are an interweaving dance, and that one informs and inspires the other. Develop an instinct for which sacrifices are truly worth making and which risks are worth taking.
Everything is “difficult”: understanding the logic (or lack thereof) of artistic directors, negotiating tempos of piano concertos with conductors, liaising with concert promoters, managers and record companies and making sure that they will not “steal” your creative ideas
Who or what inspired you to take up the piano and pursue a career in music? Many people and things. My parents bought me a