Interviews with musicians, composers and conductors
The concept behind each work is extremely important to me. The first step of composing any piece begins with my interaction with an extra-musical source inspiration, and from that I form the idea and the all-important title, which becomes the identity of the work
Exploring a new work with other musicians is always a very special privilege. Once a piece is written, composers morph from being a‘ creator’ figure into a ‘mechanic’ working in service of the players. Music lives and breathes just as human beings do.
As an interpreter I also feel a very strong sense of responsibility in communicating the scores I play, in being their voice, so the audience can hear them. I don’t think one can ever feel like they have “arrived” in this job. What is so thrilling is what is around the corner, and the hard work you need to be ready to get there.
The Ondes Martenot is a very sensual instrument, with an incredible sonic palette. I discovered it when I was studying piano at the Strasbourg Conservatory
I am at my best in works that require deep concentration, a good sense of long structures and continuous, unbroken tension. I am least comfortable with miniatures and character pieces.
MEET THE ARTIST 