MEET THE ARTIST

Angela Hewitt, pianist

August 19, 2021 The Cross-Eyed Pianist

Everything you experience in life goes into your music and your interpretations. Talking with friends, reading books, going to the theatre, travelling, seeing a movie, reading the news, experiencing the tragedy of this awful pandemic….all of that ends up in what you produce later on at the piano.

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Susan Bullock, soprano

July 13, 2021 The Cross-Eyed Pianist

Success to me is going on to a stage knowing that I am totally prepared: I have put the work in and come off at the end of the performance knowing that I did my absolute best on that day.

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Elizabeth Llewellyn, soprano

May 24, 2021 The Cross-Eyed Pianist

If my audience is moved, entertained, challenged, provoked, consoled, informed, inspired – or any combination of the above – then I feel I have been successful in doing my job.

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Alison Balsom, trumpeter

January 28, 2021 The Cross-Eyed Pianist

Keep listening to live music and going to concerts to remind you why this is such a brilliant, powerful, relevant, important, beautiful thing in a human’s life and why you should keep on searching for those memorable, spine tingling occurrences.

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Rowan Pierce, soprano

November 11, 2020 The Cross-Eyed Pianist

Our work is in skills and craftmanship and that takes time and every day you make music is a progression to a day when it will feel easier or different. It’s a life-long process, and it will be ever changing and that’s ok.

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Alec Frank-Gemmill, horn player

October 29, 2020 The Cross-Eyed Pianist

Making something sound exactly how I want it to.

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Bertrand Chamayou, pianist

October 11, 2020 The Cross-Eyed Pianist

It’s a long quest and a process of building. You need to build your repertoire, your personality… to try to learn who you are as an artist. That all takes time. Search inside yourself, as most of what you have to say is already inside you from very early on.

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Nitin Sawhney – musician, composer and producer

September 21, 2020 The Cross-Eyed Pianist

I create a new vocabulary for each project I work on. I don’t believe in stamping my personality all over what is required for a film’s score to compliment the narrative. However, with my own albums I tend to follow my intuition which leads me into a lot of sounds that I love.

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Michael Finnissy, composer

July 4, 2020 The Cross-Eyed Pianist

Music itself is intensely important to me, and I want to try and share it – intensely

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Alice Sara Ott, pianist

October 15, 2017 The Cross-Eyed Pianist

My parents took me a to piano recital when I was three because they couldn’t find a babysitter that night. I don’t remember the pieces the pianist played but I was fascinated by the power of music that made the audience quiet for nearly two hours. I thought that if I learned this “language” people would also listen to what I want to say

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Nathalia Milstein, pianist

March 11, 2017 The Cross-Eyed Pianist

The greatest challenge, which will probably last all my life, is trying to understand how to be completely myself on stage, how to convey my own ideas without getting distracted by anything else and be 100% into the music

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Elin Manahan Thomas, soprano

November 12, 2016 The Cross-Eyed Pianist

My musical heart is definitely in baroque music – anything from Purcell to Handel to Bach makes me feel entirely at home. I’ve always been completely at one with the style and harmonies of the baroque period, and there’s nothing from that age that I wouldn’t love singing.

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Stephen Marquiss, pianist & composer

November 26, 2016 The Cross-Eyed Pianist

Remember that art and life are an interweaving dance, and that one informs and inspires the other. Develop an instinct for which sacrifices are truly worth making and which risks are worth taking.

Sandro Ivo Bartoli, pianist

November 23, 2016 The Cross-Eyed Pianist

Everything is “difficult”: understanding the logic (or lack thereof) of artistic directors, negotiating tempos of piano concertos with conductors, liaising with concert promoters, managers and record companies and making sure that they will not “steal” your creative ideas

Anna Cavaliero, soprano

November 21, 2016 The Cross-Eyed Pianist

Don’t be afraid to explore other things……All our life experience feeds into what we do and how we can create and convey music with true feeling

Daniel Pioro, violinist

November 19, 2016 The Cross-Eyed Pianist

A joyful introduction to the violin at the age of 4 left me utterly obsessed. It was, and still is, my toy.

Paul Burnell, composer

November 16, 2016 The Cross-Eyed Pianist

The pieces in which the spirit, notation, concept, sound, come together to make something distinctive.

Jamie W Hall, bass baritone

November 14, 2016 The Cross-Eyed Pianist

It’s not hugely fashionable to specialize in English repertoire but it’s where my heart is and I think that might well be the most important thing in the end

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