Interviews with musicians, composers and conductors
The idea comes to me in an unexpected situation. With a sketchbook or a dictation app I grasp the initial thing and work it out later, mostly on the piano. I constantly switch between the composer and the listener’s chair.
To me success can be both artistic and professional and I believe it is important to make this distinction. This said, I feel the best success I wish to have is to artistically fulfil my aspirations and, because of that, be admired and respected by audiences and musicians alike. Fingers crossed!
It’s my responsibility to foster an environment in which each performer can do their best. It’s also my responsibility to guide the interpretation of the work, and this can only come from study
work should not be limited to the practice room and the office, as being curious about the world and allowing oneself to experience life to fullest is the only way to become a complete artist
I feel that basically the people make “the venue”. Their energy, interest, respect and vulnerability to be touched and create this sort of tension of curiosity in the hall is what feeds me most
MEET THE ARTIST 