Interviews with musicians, composers and conductors
To me success can be both artistic and professional and I believe it is important to make this distinction. This said, I feel the best success I wish to have is to artistically fulfil my aspirations and, because of that, be admired and respected by audiences and musicians alike. Fingers crossed!
It’s my responsibility to foster an environment in which each performer can do their best. It’s also my responsibility to guide the interpretation of the work, and this can only come from study
work should not be limited to the practice room and the office, as being curious about the world and allowing oneself to experience life to fullest is the only way to become a complete artist
I feel that basically the people make “the venue”. Their energy, interest, respect and vulnerability to be touched and create this sort of tension of curiosity in the hall is what feeds me most
My view is that there is no one interpretation of a piece, but there are as many as there are interpreters and the hierarchy of their worth should be looked for in what kind of emotional response each of them triggers in the listeners, rather than in their relevance to the score
