Interviews with musicians, composers and conductors
The closest thing to perfect happiness is the knowledge that you are holding the audience rapt during a performance, particularly in a highly expressive slow movement where the silence is almost audible behind the notes.
Working with living composers is a constantly fascinating and engaging process.
In general, I am looking for ways of creating satisfying continuity out of asymmetrical material in both pitch and time. Sometimes I am also very interested in blending colours .
Be yourself without copying other pianists
Who or what were the most significant influences on your musical life and career as a composer? That would have to be some combination of
I try to give my all for each performance so it really doesn’t matter where I play – each concert leaves me with things to improve
