Interviews with musicians, composers and conductors
Long-term working relationships (for example, with my band) are essential in developing and supporting one’s own musical language. Every ensemble or orchestra has its own character: this is its strength and weakness at the same time. As a musician you always have respect for this – then you can create amazing results.
When you’re starting out as a young singer it can quite often feel like your voice is calling the shots
Quite simply, playing an instrument, the cello, demands a lifetime commitment if you want to make it to the stage. Young musicians should take that into account. I practice every day and that is rewarding in itself, but my music should be social before it is technical.
My music is not classified as “classical” or “pop” music but a hybrid of both. It has the accessibility, logic and shortness of pop music, and the philosophy, emotion and depth of the classical genre.
Who or what inspired you to take up the piano and pursue a career in music? For me this is a not an easy question,
