‘The most important thing is to feel you are writing the best music you possibly can. But it’s nice to be busy (but not too busy), to be valued by your peers, and to be appreciated by your audience too.’
Kelly Lovelady, conductor
I’m interested in the longform possibilities of the concert experience: bold programming which reaches across individual movements to an essence which exceeds the sum of its parts. The great symphonic programmers for me right now are Rattle, Jurowski, Volkov.