Interviews with musicians, composers and conductors
The most successful experiences for me, whether they be performances or auditions, are the ones where I’ve allowed myself to give in entirely to the spirit of the moment.
Try a new composing pencil; there might be new notes in it.
One positive aspect to performing not being my main source of income is that I have the luxury of being able to program less well known music that interests me – which is what ultimately led to my Philippa Schuyler recording
Classical music will continue to grow as long as it continues itself to evolve. Incorporating current themes and ideas in programming and allowing for fusion of styles is a key to this.
Perhaps the true definition of success is a really enthusiastic audience reaction
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