I see my music as largely built on the classical tradition, but – hopefully – exploring new possibilities within it.
For composition, subconscious processing is one of your most powerful tools, as long as you “feed it” with tasks to process: don’t wait for inspiration, instead confront the empty page and work on it; put the time in. Even if you discard everything by the end of the day, it is the process that stimulates the subconscious and you’ll find that inspiration follows.
Who or what inspired you to take up composing, and pursue a career in music? My grandfather was a huge inspiration for me. He was
I compose contemporary music with a tonal and experimental approach. I treat sound and melody equally, and for some pieces you could even say they are a kind of sound-sculpture.
I start from inspiration around a certain idea or sound performance, which I intuitively try to understand and write down. I let my ideas flow, often at the piano. Then I search for certain systems, rhythmic or melodic motifs, harmonies etc. that are present in this inspiration
Founded by the late MP, the Jo Cox Commission on Loneliness published in 2017 that in the UK alone, more than 9 million people often