the thing perhaps that links my compositional language is a sense of expressiveness, I feel a great need to express how I feel and think, as I am sure do all composers. I can’t, for example, work solely with serial techniques
Interviews with musicians, composers and conductors
the thing perhaps that links my compositional language is a sense of expressiveness, I feel a great need to express how I feel and think, as I am sure do all composers. I can’t, for example, work solely with serial techniques
There are so many different kinds of success. I like to say that the biggest compliment a composer can receive is a good first performance. Knowing I have the motivation and desire to keep writing music means I’ve succeeded in making a good career choice. Or perhaps success is a word of appreciation after a performance, knowing that my music has made a connection.
With each of my works I hope to express a clear emotional idea and musical point of view. The optimistic vigor and stylistic influences of the 20th-century American symphonic school dominate most of my orchestral and concerto scores
Who or what inspired you to take up composing and pursue a career in music? No one especially inspired me to take up music or
Compositions happen in small bits, over time and you react to things in rehearsals. So, for me it’s about having an open-minded approach and a flexible mindset.