When someone tells me after a concert that they had heard that piece so many times, but that my performance gave them a new perspective of that work, I know I’ve had a little success right there.
Interviews with musicians, composers and conductors
When someone tells me after a concert that they had heard that piece so many times, but that my performance gave them a new perspective of that work, I know I’ve had a little success right there.
I’ve always been a singer, as my whole family is full of musicians of different types. I knew music was my journey but wasn’t sure how exactly to focus it; I wanted to be a singer/songwriter for a while, then a flutist, and now I’m really glad that I began to pursue a career in opera.
Who or what inspired you to take up the violin, and pursue a career in music? My family and surroundings were and are the inspiration.
The holy grail is to feel that intangible energy and concentration from the audience as a response to the music. As musicians we aspire to feel that the music is passing through us unimpeded and undiluted.
I think it would be good if musicians realised how revealing it is to play music. You can see people so clearly. That has implications. I would say that generosity is the musical quality I most value: doing what’s right for the music or trying to make someone else sound amazing. If you can do that whilst also being very individual then that’s amazing. But how those two intersect is obviously very hard.