I think the biggest challenge is to be able to ignite in my players and singers the desire to make the best music they are capable of. The task of the conductor can’t be micromanaging musicians all the time.
Interviews with musicians, composers and conductors
I think the biggest challenge is to be able to ignite in my players and singers the desire to make the best music they are capable of. The task of the conductor can’t be micromanaging musicians all the time.
Who or what inspired you to take up the piano and pursue a career in music? I have the vague memory of asking my non-musical
Everything started when I was three years of age. My parents enjoyed playing our grand piano though they themselves were not professional musicians. Their piano playing greatly influenced my interest in that particular instrument.
I would say that every piece, every concert is a great challenge – the life of a working musician is endless problem-solving, with each solution only leading to new problems/issues to address. In a way, every moment is a great challenge, as you’re always reaching for a perfection that can never be achieved
Probably playing at short notice for Frank Sinatra at the Albert Hall (someone in his team was indisposed). His drummer warned me off anything ‘flashy’ – “Mr Sinatra don’t like no concertos”. But the great man said, “Aw, let the kid play” (what a gent!).