When composing for film, it’s a challenge because you are writing music that has to satisfy both yourself, but most importantly the film director. The music needs to tell the story and the film is so dependent on the music to do this.
Interviews with musicians, composers and conductors
When composing for film, it’s a challenge because you are writing music that has to satisfy both yourself, but most importantly the film director. The music needs to tell the story and the film is so dependent on the music to do this.
Everything started when I was three years of age. My parents enjoyed playing our grand piano though they themselves were not professional musicians. Their piano playing greatly influenced my interest in that particular instrument.
I would say that every piece, every concert is a great challenge – the life of a working musician is endless problem-solving, with each solution only leading to new problems/issues to address. In a way, every moment is a great challenge, as you’re always reaching for a perfection that can never be achieved
Music should always be about something, be for something, be because of something. We spend years honing instrumental or vocal technique, and it is right that that is the primary focus of teaching, but what’s the point if we don’t try and use it to say something. People need the space at a young age to find what their artistic voice might be.
Performing in St. Paul’s Cathedral is an experience one never forgets. The building is awesome and the organ matched it pillar for pillar. I think playing at the Royal Albert hall was another great occasion that I will not forget.