As a soloist, performing Ligeti for 100 school kids in the Queen Elizabeth Hall for the London Sinfonietta was particularly rewarding – it was the best (and noisiest) cheer I’ve ever received!
Interviews with musicians, composers and conductors
As a soloist, performing Ligeti for 100 school kids in the Queen Elizabeth Hall for the London Sinfonietta was particularly rewarding – it was the best (and noisiest) cheer I’ve ever received!
The sense that people you respect and care about are straining every sinew for the sake of your compositional efforts and their realisation is a uniquely humbling experience. At times it has made the music seem to stare back at me, externalised and somehow become ‘other’.
I was singing alongside really fine singers and instrumentalists and receiving a world-class music education. I felt like the luckiest kid in the world to be exposed to such a high level of music-making in a beautiful cathedral
The pleasures of working with imaginative, engaged, and skillful musicians are immense and in some ways unexpected. Working with great musicians is a truly healthy collaboration
Approach every work with humility and love; approach every work like a composer and put one hundred per cent of yourself into it and value that input.