I would say that true success is being able to do this job with dedication and curiosity; always trying to tell people something new through this form of art, respecting the composers’ wishes too but putting your soul into everything you do. Being able to do this is what I think we call success.
For me, concerts venues are all about the audience and the energy that happens. It can be someone’s living room or the Wigmore Hall; nothing beats the magical feeling of real communication through music.
Never be afraid to experiment and deviate from the norm!
Find out exactly how you want to use your talent and create opportunities to make that vision come true. It’s very easy to get caught up into trying to fit into a “mold” as a classical artist, and I believe that true fulfillment comes from creating straight from individual truth.
Who or what inspired you to take up singing and pursue a career in music? The real vocation to become a singer happened when I
I admire great singers who are also great musicians, such as Dietrich Fischer-Dieskau whose every performance is a masterpiece! Ian Bostridge and Anne Sofie von Otter offer countless nuances and a strong statement. Listening to Emma Kirkby is an aesthetic experience and Anthony Rolfe Johnson’s work is moving and so full of emotion. My favourite conductor is Simon Rattle.