Interviews with musicians, composers and conductors
Music written for motion picture should serve the image, and not the other way around. The question is therefore how to compose music of substance, without losing your signature style.
The first memories I have of wanting to be a musician come from watching Freddie Mercury and Michael Jackson performing, which made me think being on a stage would be a lot of fun. To this day, the stage is one of my favourite places and is where I feel the most comfortable
For me, success is someone coming up to me after a concert and saying: “Today was my first classical concert. And I really loved it. And I’m definitely going to come again.”
When I recorded the score for The Windermere Children recently, about children who had survived the Holocaust, I spent a lot of time in the session explaining to the performers what each piece was about, what was happening in the scene, and it made such an incredible difference to the emotion of the score.
The joy when the work will be played is definitely a special pleasure. I mostly use Sibelius for writing and once when I give a musician a part, then my music come to life. That is a very special moment.
MEET THE ARTIST 