Tonal, with a hint of, ‘what just happened?’ I like raising eyebrows, but also tapping feet. Rhythm is key, and the interplay between musicians trying to keep up with it
Interviews with musicians, composers and conductors
Tonal, with a hint of, ‘what just happened?’ I like raising eyebrows, but also tapping feet. Rhythm is key, and the interplay between musicians trying to keep up with it
Love composition enough to want to do it whether you get paid or not. Have friends or pupils who are happy to perform it. Value and reflect on your life experiences, whether happy or painful, because whether music appears to be programmatic or abstract, it is all the product of experiences that are deeply felt, as much as of individual gifts.
Who or what inspired you to take up composing, and pursue a career in music? My Dad was a fine pianist as were both my
When composing for film, it’s a challenge because you are writing music that has to satisfy both yourself, but most importantly the film director. The music needs to tell the story and the film is so dependent on the music to do this.
Probably playing at short notice for Frank Sinatra at the Albert Hall (someone in his team was indisposed). His drummer warned me off anything ‘flashy’ – “Mr Sinatra don’t like no concertos”. But the great man said, “Aw, let the kid play” (what a gent!).