The inspiration for my compositions can come from a great conversation with the filmmaker, the film itself or a certain scene. I like to be as open as possible in the beginning.
Interviews with musicians, composers and conductors
The inspiration for my compositions can come from a great conversation with the filmmaker, the film itself or a certain scene. I like to be as open as possible in the beginning.
I’m interested in a kind of clarity and perhaps simplicity although I really like dense sounds which feel like they might overwhelm you.
In general, I am looking for ways of creating satisfying continuity out of asymmetrical material in both pitch and time. Sometimes I am also very interested in blending colours .
I create a new vocabulary for each project I work on. I don’t believe in stamping my personality all over what is required for a film’s score to compliment the narrative. However, with my own albums I tend to follow my intuition which leads me into a lot of sounds that I love.
Who or what were the most significant influences on your musical life and career as a composer? That would have to be some combination of