The greatest challenge is the first attempt at composing every next work: inevitably I ask myself ‘Do I have something to say with this work? Are these notes relevant to the human condition of today?’
Interviews with musicians, composers and conductors
The greatest challenge is the first attempt at composing every next work: inevitably I ask myself ‘Do I have something to say with this work? Are these notes relevant to the human condition of today?’
I love music that makes me feel so completely immersed and joyful that nothing else in that moment really matters. Music that takes you on a journey and can completely alter your mindset. As a composer, I suppose those attributes have started to seep into how I put a big emphasis on melody.
To be taken seriously as a musician or composer, you must always create the best quality music possible, and never settle. A composer never “arrives”, only to rest on their laurels. You traverse various stylistic phases, only to seek a whole new set of challenges.
I believe the greatest challenge for today’s composers is that contemporary classical music is still not seen as an undeniable part of the classical music world. Worshipping the great masters of the past has been for a long time the main aspiration for musicians all over the world. But a lot is moving in an exciting direction right now.
The inspiration for my compositions can come from a great conversation with the filmmaker, the film itself or a certain scene. I like to be as open as possible in the beginning.