I’m interested in a kind of clarity and perhaps simplicity although I really like dense sounds which feel like they might overwhelm you.
Interviews with musicians, composers and conductors
I’m interested in a kind of clarity and perhaps simplicity although I really like dense sounds which feel like they might overwhelm you.
In general, I am looking for ways of creating satisfying continuity out of asymmetrical material in both pitch and time. Sometimes I am also very interested in blending colours .
I create a new vocabulary for each project I work on. I don’t believe in stamping my personality all over what is required for a film’s score to compliment the narrative. However, with my own albums I tend to follow my intuition which leads me into a lot of sounds that I love.
Who or what were the most significant influences on your musical life and career as a composer? That would have to be some combination of
Like a true architect, the biggest challenge is striking a balance between appeasing your artistic soul and satisfying the client. Magic happens when the client stretches the composer ‘just enough’ to get them out of their comfort zone – that ‘magic’ is called ‘growth’.