Who or what inspired you to take up the trumpet and pursue a career in music?
The first time I heard a recording of Wynton Marsalis playing the Haydn and Hummel concertos, I knew I wanted to work hard to pursue my life in music
Who or what have been the most important influences on your musical life and career?
My teachers – Ray Sasaki (University of Illinois ), Jerry Loyet (Champaign, Illinois ), Adolph Herseth (Chicago Symphony Orchestra), Charlie Geyer (Eastman School of Music), Phil Smith (New York Philharmonic)
What have been the greatest challenges of your career so far?
In 2001 I experienced a sensation in my lips where they seized up and I couldn’t produce notes without strain. After a significant hiatus from Montreal Symphony Orchestra, I had to relearn how to play and to rebuild my confidence.
Which performance/recordings are you most proud of?
All of my solo recordings hold a special place in my life. ‘A Simple Song’ – this was my first solo CD. I recorded many transcription of pieces and composers that I love – Rachmaninov, Bizet, Ravel,Shostakovich, Debussy, Schumann. Also ‘Baroque Transcriptions’ – this project came 9 months after my lip problems, thanks to the Analekta record label who believed in me. I considered at the time that it could be my last recording as a trumpet player, but it wound up building my confidence in my playing. It was nominated for best classical album of the year at the ADISQ AWARDS. ‘French Trumpet Concertos’ was a dream project with my colleagues. I became the first musician in Canada to successfully launch a Kickstarter campaign (which funded the album) and we were nominated for best classical album (soloist and large ensemble ) for the JUNO awards. Finally, my most recent release, ‘The Enlightened Trumpet’. Since I was a child, hearing Wynton Marsalis, Maurice André and Timofei Dokshizer play Haydn and Hummel concertos, I always dreamt of someday recording these prominent works for trumpet.
Which particular works do you think you play best?
I love playing romantic composers like Shostakovich, Mahler, Richard Strauss. I equally love Baroque and classical repertoire for trumpet, such as Telemann, Haydn and Hummel.
How do you make your repertoire choices from season to season?
I start with choosing repertoire that I truly love to play and hope that record companies and solo project presenters agree!
Do you have a favourite concert venue to perform in and why?
It would be a dream to play as a soloist in Carnegie Hall one day
Who are your favourite musicians?
I had the great opportunity to play under Leonard Bernstein. I’m also a huge fan of Gustav Mahler. Recording and performing with Martha Argerich was a special favourite.
Currently I admire Danil Trifinov, Yuja Wang and of course, Wynton Marsalis.
What is your most memorable concert experience?
Playing Copland third symphony with Leonard Bernstein at Tanglewood shortly before he passed away.
As a musician, what is your definition of success?
I believe that if you are truly content with where you are as a player and where you are in your career, you have achieved great success
What do you consider to be the most important ideas and concepts to impart to aspiring musicians?
Play from a place of love towards your music and work HARD!
What is your present state of mind?
After 25 years as first trumpet with the Montreal Symphony Orchestra, I’m dedicating this second phase of my career to expanding the voice for trumpet to be a massively diverse and expressive instrument.
Virtuoso American trumpeter, Paul Merkelo, currently celebrating his 25th season as solo trumpet with the Montreal Symphony Orchestra, makes his UK debut on 14th November at the Sheldonian Theatre, Oxford, with the Oxford Philharmonic. His recording ‘The Enlightened Trumpet’ was released in September 2019 and he plans a further disc on SONY Classics featuring concertos by Weinberg, Aritiunian and a new arrange of the Shostakovich Trumpet Concerto Op 35, No. 1 for trumpet, piano and string orchestra.
Paul Merkelo made his New York debut in 1998 at the Lincoln Center with the New World Symphony Orchestra and Michael Tilson Thomas. He has worked with conductors such as Leonard Bernstein, Charles Dutoit, Lorin Maazel, Sir Georg Solti, Zubin Mehta and Valery Gergiev and has been invited as guest principal trumpet in the Pittsburgh Symphony Orchestra and the New York Philharmonic. As a soloist, Paul Merkelo has been featured with orchestras worldwide, including the English Chamber Orchestra, Russian National Orchestra, Sapporo Symphony Orchestra, Venice Baroque Orchestra and Eastman Wind Ensemble. He is the founder of the Paul Merkelo Scholarship which awards financial aid to promising young Canadian brass students.
Merkelo “knows no limits“ Der Spiegel