Who or what inspired you to take up the trumpet and pursue a career in music?
It was mainly the incredible Dizzy Gillespie who taught me how fantastic the trumpet can be!
Who or what have been the most important influences on your musical life and career?
Definitely Dizzy, but also many other musicians – Queen, also Trevor Pinnock, and many violin virtuosos who helped me understand song-like communication through an instrument
What have been the greatest challenges of your career so far?
The lack of Classical repertoire for the solo trumpet… and finding adequate time to mindfully practice and the courage to perform in front of audiences and at the front of symphony orchestras.
Which performance/recordings are you most proud of?
I was so proud of creating GABRIEL at Shakespeare’s Globe in 2013. It was everything I adore about music: the greatest material one can imagine in the music of Purcell and Handel, the delightful opportunity to work for an extended period with the English Concert, also to work for the first tine with very fine actors and explore a different kind of attitude and camaraderie on stage than anything I’d experienced before. Happily we’re restarting it as a concert performance at Saffron Hall and the Barbican later this month.
Which particular works do you think you play best?
That’s not really for me to say! But I think over the years and over many many performances I finally know what I’m doing – or ideally would like to be doing with the two mainstays of the repertoire: Haydn’s and Hummel’s trumpet concertos. They are less of a display of short term technique and more of a vehicle of expression of who you are as a person through the instrument.
How do you make your repertoire choices from season to season?
It’s pretty organic – it’s a mixture of conversations that rapidly take off (or don’t, and go on a slow burn!) and long standing relationships with beloved orchestras and conductors. Inspiration taken from all over the place too which is where the next album starts.
Do you have a favourite concert venue to perform in and why?
I’m quite keen on all the main UK venues as I have such a long history with them, and they bring back fond memories each time I visit, but I do love magical settings such as the Hollywood Bowl and Hamburg’s Elbphilharmonie.
What is your most memorable concert experience?
The last night of the Proms will always be a big personal highlight
As a musician, what is your definition of success?
Being totally inside the music and living each moment in the present, with nothing hampering what you want to say – technique, distractions, doubts, random sticky valves etc. !
What do you consider to be the most important ideas and concepts to impart to aspiring musicians?
Keep listening to live music and going to concerts to remind you why this is such a brilliant, powerful, relevant, important, beautiful thing in a human’s life and why you should keep on searching for those memorable, spine tingling occurrences.
Alison Balsom has performed with some of the greatest conductors and orchestras of our time including Pierre Boulez, Lorin Maazel, Sir Roger Norrington, l’Orchestre de Paris, San Francisco and Toronto Symphony Orchestras, Philadelphia Orchestra, New York and London Philharmonic orchestras, and has appeared as soloist at the Last Night of the BBC Proms. She regularly collaborates with some of the world’s leading chamber ensembles including the Academy of Ancient Music, Il Pomo d’Oro, The English Concert and most recently The Balsom Ensemble (a handpicked group of leading Baroque soloists). Alison is a recipient of numerous prestigious awards, including Gramophone Artist of the Year, the Nordoff Robbins O2 Silver Clef Award, three Echo Klassik Awards and three Classic BRIT awards (two of which as Female Artist of the Year).