This interview, from 2013, first appeared on The Cross-Eyed Pianist site. Jonathan Powell died on 27 December 2025, aged 56
Who or what inspired you to take up the piano and make it your career?
We got a piano in our house when I was about 6 because it had belonged to my grandfather but he developed arthritis and so didn’t play any more. After that, it was quite hard to get me to stop playing it.
Who or what are the most important influences on your playing?
The music I play and my teachers Sulamita Aronovsky and Denis Matthews, also the pianists listed below I suppose.
What have been the greatest challenges of your career so far?
Following the conductor Chris Austin when recording Morgan Hayes’ Slippage for piano and ensemble – there are loads of time signature changes, and fortunately he was very clear and patient with me; memorising Albeniz’s Iberia, playing Sorabji’s 7-hour Sequentia cyclica, playing all of Scriabin’s sonatas in one concert (I did that a few times) …
What are the particular challenges/excitements of working with an orchestra/ensemble?
Making sure the conductor doesn’t go to fast and gives me plenty of space to shape phrases
Which recordings are you most proud of?
The first ever CD of music by Alexander Goldenweiser who taught my teacher… some pieces called Dainas by Latvian composer Jānis Mediņš, a disc of music by Felix Blumenfeld, and the live recordings from the Husum Festival (proof that I occasionally actually play OK concerts)
Do you have a favourite concert venue?
In the UK, I like the Jacqueline du Pré Music Building in Oxford quite a lot. Recently I turned up in Elizavetgrad in central Ukraine to play Szymanowski (he was born very near there) and got to play on a really nice new and big Bechstein (perfect for this music) in an excellent hall … a nice surprise.
Who are your favourite musicians?
Richter, Delarocha, Feinberg (Samuil), Bolet, Sofronitsky, Petri, Yudina, Enescu
What is your most memorable concert experience?
There are a few: first concerts in Moscow Conservatoire, Helsinki Opera House, NYC Kaufman, Montpellier Festival Radio France … and the small places like the Neuhaus Museum in Kirovograd, the Čiurlionis House in Druskininkai where the audience sits in the garden, Goldenweiser’s flat in Moscow on Tverskaya where there were a scary number of pianists in the audience … playing Elgar in the Philarmonia in Kyiv.
What is your favourite music to play? To listen to?
Often it’s Russian music of the early 20th century – I like listening to orchestral music, especially if I’ve been playing the piano all day long, but have quite broad taste that includes lots of jazz, soul and Brazilian music as well.
What do you consider to be the most important ideas and concepts to impart to aspiring musicians/students?
Be curious, listen hard and stick to your guns.
What are you working on at the moment?
Radulescu 2nd Sonata, Aperghis A Tombeau ouvert, Rachmaninoff 3rd Concerto, Alkan Concerto for solo piano
Where would you like to be in 10 years’ time?
At home with my family
What is your idea of perfect happiness?
Walking in the mountains with my wife and son
What do you enjoy doing most?
Cooking for my family, walking and sleeping
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